Drive film review
Indie crime drama Drive arrived in South Africa on a surge of online and critical hype. That is always dangerous for a film in that audience expectations can be elevated so high that they become impossible to satisfy. Fortunately, Drive is pretty damn great… as long as you go into it knowing that the film isn’t a conventional thriller. Like this year’s Hanna ( my review ), Drive is an unusual hybrid of art house and mainstream action cinema. Drive, however, is by far the more accessible film of the two, and emerges as one of the best cinema releases of 2011. Now the plot for Drive is far from unique. The film centres on an unnamed man ( Ryan Gosling ) known simply as the Driver, who leads a car-centric life in Los Angeles: by day he works as a mechanic and stunt driver; by night he’s a heist driver for hire. The Driver is drawn to his neighbour, sweet young mother Irene ( Carey Mulligan ), but no sooner does he start slotting into her life than her husband, Standard ( Oscar Isaac ) r...